Piya Bahrupiya

William Shakespeare’s Twelfth Night is a comedy quite similar to his more famous play The Comedy of Errors. The Twelfth Night has twins, a boy (Sebastian) and a girl (Viola), who are separated when young. Viola dresses as a man, calls herself Cesario and befriends Orsino, who is in love with Olivia. But Olivia is in mourning for seven years, and wouldn’t accept any overtures for a relationship, or so she claims.

Orsino sends Cesario to woo Olivia on his behalf, but Olivia falls for Cesario, who is actually Viola, and who has fallen for Orsino. After much confusion, the long-lost brother-sister twins meet, and Olivia realises that it’s Sebastian she loves; Orsino accepts Viola’s love. In the end, all’s well that ends well.

The Hindi film industry has had a long and flourishing relationship with Shakespeare. It’s strange that no director has thought of turning Twelfth Night into a movie. But what cinema didn’t do, the theatre has. Although the Company Theatre’s Piya Bahrupiya claims to be a Hindi translation (as opposed to adaption) of Shakespeare’s Twelfth Night, it is performed as a nautanki, with the entire cast of characters also doubling as a vocalists and chorus, and the accompanying musicians (pump organ player and percussionist) occupying centre stage.

Of course, what adds zest to the production, and, in fact, makes it entirely Indian in content and form is the frequent song-and-dance interludes that intersperse the narrative. These songs – inspired by the varied Indian folk traditions – transcend the play into a classic, and turn it into an unforgettable experience. Since it was first staged about six years ago, Piya Bahrupiya has gained critical and popular acclaim both in India and globally.

Last evening, the Michael Young Theatre in Toronto’s charming Distillery District was the venue for Piya Bahrupiya; hearteningly, the theatre was packed to capacity, a mix of Canadians of Indian origin, as well as other ethnic groups. Why Not Theatre, in partnership with Soulpepper, brought Piya Bahrupiya to Toronto, as a unique way to celebrate Diwali, with victory “of poetry over propaganda, of optimism over pessimism and of love over hate”.  

The musical production tests the mettle of the actors not merely in the art of emoting, but also in singing, because a large chunk of the narrative is carried forward through songs. The actors deliver a rousing performance with quick-witted dialogues that use contemporary idioms to relate to the present-day audience who presumably don’t have the patience for Shakespearian language (which is an untested hypothesis, and needs to be contested, but let’s leave that for another time).

It’s the mixture of the various forms of folk song traditions, including a zany qawwali sequence, and a rousing Ma Sherawali bhajan, that invigorates the narrative. The constant interactions with the audience also keep the proceedings lively and engaging.

The actors are all superlative, both in the acting and singing, and it’s difficult to select who’s the best because even in those in minor roles perform brilliantly. However, a special mention must be made of Geetanjali Kulkarni (Viola/Cesario) and Mansi Multani (Olivia). Gitanjali’s Cesario is wounded, a prisoner of circumstances, and frantic in her search to profess her love for Orsino, without breaking Oliva’s heart. Mansi’s Olivia is nubile, incredibly alluring but utterly guileless.

Piya Bahrupiya ran from October 27 to October 29.

Credits:

Actors:

Sagar Shrikant Deshmukh: Orsino

Mansi Multani: Olivia

Trupti Khamkar: Maria

Mantra: Sebastian

Geetanjali Kulkarni: Viola

Saurabh Nayyar: Malvolio

Aadar Malik: Andrew Agucheek

Gagan Riar: Uncle Toby

Neha Saraf: Feste

Musicians:

Arnod Bhatt:  Harmonium

Niketa Saraf: Assistant Percussionist

Rahul Sharma: Percussion

Production

Atul Kumar: Director

Amitosh Nagpal: Translator

Priyanshi Bahadur: Production Manager

Vinod Ravindran: Tour Director and Surtitles

Trupti Khamkar, Kiyomi Mehta, Neha Saraf: Costume Designers

Atul Kumar, Sujay Saple: Lighting Designers

Andrew Leeke: Technical Director

Candid Talk with Tahir Gora about Belief

Tahir Gora is a multifaceted personality - he's a political activist who has constantly battled religious prejudices to uphold human rights; he's an outstanding author of prose and poetry, controversial but humane in his approach; he's a sharp journalist, one of the finest in the profession; and a great interviewer, who is able to bring out the best in his subject.

In 2015, he invited me to launch a program on TAG TV that he and his wife Haleema Sadia have been operating for a couple of years. The internet-based television channel is a unique platform that provides avenues of expression for multicultural talent, a major lacuna in the Canadian mainstream media. 

During the last year, I have interviewed several authors, artists, musicians from a diverse ethnic background, who have made Canada their home, and continue to creatively express themselves in idioms that may at times seem strange to mainstream Canada, but nevertheless, have a definite place in the Canadian canon of art and literature.

In this series, I also interviewed Tahir himself, when his novel Rang Mahal, written in Urdu, was published to critical acclaim (globally, wherever Urdu is read) and official opprobrium (in Pakistan). We discussed many aspects of creative writing in a social context. It is an interaction that lasted for nearly an hour, and I;m hopeful that the usually reticent Tahir will eventually put it up on YouTube, and other social media platforms of TAG TV. When he does, I'll add the video to the one below.

Earlier in October, we chatted again. This time on Tahir's show Candid Talk. The focus was multiculturalism, and, of course, my novel Belief. Again, the conversation covered many aspects and I think both of us had a great time. It lasted for nearly 45 minutes, so, if you have the time, please see the video. 

And, of course, if you'd like to buy the book, please do so from Amazon Canada. Here's the link: 

Buy Belief on Amazon

What's Belief all about? George Socka talks to me

United States of Jihad: Investigating America’s Homegrown Terrorists

Guest Post by Jatin Desai 

Peter Bergen’s ‘United States of Jihad: Investigating America’s Homegrown Terrorists’ extensively deals with the terrorist threats to the United States of America. It is a lucid and well-researched book. It talks of how jihadi groups and individuals have become active since the attack on World Trade Centre and Pentagon on September 9 2001.

The numbers prove what he wants to convey. Since 9/11, more than three hundred Americans-born and raised in Minnesota, Alabama, New Jersey and elsewhere- have been indicted or convicted of terrorism charges. David Headley, an American was among those who planned the attack on Mumbai on November 26, 2008.

The hard reality is Jihad was already waged in US much before 9/11. The World Trade Centre (WTC) was attacked for the first time in 1993. Six people died in the attack which was masterminded by Ramzi Yousef. He was trained in an al-Qaeda camp on the border of Afghanistan-Pakistan. At that time it was believed that militants would not attack US as often it served as a fund-raising base for various kinds of organizations. Following 9/11, it became amply clear that had FBI done a detailed investigation of Moussaoui, a French citizen of Moroccan origin, and plot could have been averted. Moussaoui was attending flight school in Minnesota in 2001. He had received funds from Ramzi Binalshibh.

The author reveals the influence of Anwar al-Awalki’s, a US citizen, in the terrorist activities in the US. He was an online jihadi propagandist and then rose into a senior al-Qaeda operative in Yemen. Of the 330 Americans charged with or convicted of involvement in jihadist terrorist activity since the 9/11 attacks, more than 80 were found to have Awalki’s writings or sermons in their possession or cited him as an influence, and further seven had corresponded with him or travelled to Yemen to meet him. 

Awalki became popular among English-speaking radical Islamist. He was available to chat through his blog. Finally he was killed in a US drone strike in 2011. Some of the jihadist had gone to Yemen to meet Awalki.

Michael Silber studied eleven jihadist plots that had taken place in Europe, Australia, Canada and US after 9/11 in order to identify similarities. The majority of conspirators in all these terrorist plots, surprisingly, came from secular backgrounds, and none was the product of a madrassa. They were also not hotheads and they had no traumatic experience in their life. He was of the opinion that homegrown militants with few or no connection to groups as al-Qaeda represented the future of the terrorist threat. 

Such self-radicalised individuals are always difficult to detect. It is comparatively easy to identify some militants connected with some militant groups as they communicate with each other and group. In cases of radicalized individuals, it becomes difficult as the person act on his own and do not consult others.

Swati Pandey, a researcher at the New America Foundation and Bergen jointly examined the educational backgrounds of seventy-nine militants responsible for five worst terrorists attack in Western world. They found that more than half of the terrorists had attended college. These two studies expose the general impression that militants comes from poor and uneducated backgrounds.

The author gives details of few self-radicalized militants. Couples of them were youngsters who converted to Islam not long ago. The book gives details of al-Qaeda, Islamic State, Somalia’s al-Shabaab, Yemen’s Al-Qaeda’s branch al-Qaeda in the Arabian Peninsula (AQAP). Readers of this part of the world will be surprised to know that no al-Qaeda affiliates have recruited more Americans than al-Shabaab. The story of Omar Hammami from Alabama is interesting. He became a leader of al-Shabaab and also became targets of the same brutal organization. He was a visible face of al-Shabaab to the English speaking world like jihadi propagandist Awlaki. In Somalia, disputes emerged within militants and it led to the killing of Omar.

The details of David Coleman Headley’s are eye-opener. Headley is one of the masterminds of attacks on Mumba. Headley’s US passport and Caucasian look enabled him to plan the Mumbai attacks.

Author analyses that little less than half of the 330 militants examined for the book either travelled to an overseas field of jihad or attempted to do so. South Asia was the most attractive destination, with about a third travelled to or attempted to travel to Afghanistan or Pakistan to get in touch with Taliban or Al-Qaeda; a fifth volunteered to fight in Somalia and another quarter were drawn to the Syrian war.

He ends by saying US survived a terrible breach of national security on 9/11, but learnt from that and taken significant measures. These measures can ensure that such kind of major attacks is quite unlikely. But low-level threats will take many years before it ends.

The book is important for media persons, researchers and to those who are interested in understanding growth of militant organizations. Bergen gave details of number of militants. It shows how militants recruit youngsters and train them to become suicide bombers.

United States of Jihad: Investigating America’s Homegrown Terrorists

Author: Peter Bergen

Publisher: Crown Publishers, New York

Pages: 387

Price: US $ 28, Can $ 36