& occasionally about other things, too...
Showing posts with label Ananya Mukherjee. Show all posts
Showing posts with label Ananya Mukherjee. Show all posts

Friday, November 30, 2018

A decade in Toronto - 18

Mahrukh, outside Windsor station
2013 was another year when my circle of friends who were authors or in some way connected to the creative process expanded exponentially. I’d never had so many friends and acquaintances who were authors and poets and playwrights, or people who created art in other forms – theatre, dance, music and painting.

And to think that I’d lived for four-and-a-half-decades in Bombay and had been in Toronto only for five years. I guess the main reason for this sudden expansion of friends who were creative was because I had begun to focus on these things – going to readings, plays, discussions on creative processes. But I don’t want this memoir blog to become a “who I met and who I now know” sort of narrative; that’d be just plain tedious.

If anything, my life in Toronto was turning out to be – in many different ways – the sort of life that I’d always aspired – a mix of hard work, reading, writing, being with people I didn’t dislike, and generally spending time doing the things that I truly enjoyed.

Also, blogging helped me focus my thinking and channelize them into ideas. During this exercise of recollecting my decade in Toronto, I’ve been reading the blog posts that I wrote and without being immodest, I find (at least some of them) to be rather good – readable, with content that’d make anyone think.

While writing these posts, the process of thinking led me to thinkers of the 19th and early 20th century, when many of the ideas that have come to dominate our world today were being formed. Roman Rolland, Andre Gide, Swami Vivekananda, Lokmanya Tilak, Rabindranath Tagore. The issues that they debated with themselves and with others have helped shape our sensibilities today.

At that time (in 2013) the momentum of Narendra Modi-led BJP capturing power in 2014 Lok Sabha election had become a foregone conclusion. Important and contentious issues that went to the core of my belief were being hotly debated – among them were individual rights, religious freedom, the treatment of minorities (especially Muslims), the meaning of Indian nationhood, the Hindu religion, Hindutva, and other such matters.

2013 was the centenary of Tagore’s Nobel Prize for Gitanjali and 150th birth anniversary of Swami Vivekananda. In many ways, both were globalists and yet deeply Indian (Hindu, perhaps?) in their sensibilities.

In one of my posts on Tilak and Vivekananda, I said, “Anyone familiar with 19th century social and political history of India will know of two very clear streams within the Hindu society – one which advocated that social reforms should be a priority, and the other section that resisted western-inspired and British-instituted reform measures. This section wasn't opposed to reforms.

“They wanted the reforms to be generated from within the Hindu society.  That the Hindu society didn't (and doesn't) have any self-regulatory mechanism to have initiated this process is evident from the severe opposition Nehru faced during the codification of the Hindu personal laws.

“Today, more than a century later, both Tilak and Vivekananda divide Indians, with both the secular and the communal elements claiming them as their ideals. History is reinterpreted by both the groups to justify these claims. It isn't such a bad thing because it is only through revisionism that we uncover new and concealed facts about the past.

“Of course, there are innumerable quotes that can be reproduced to portray both Tilak and Vivekananda as votaries of Hindu nationalism. A contributing factor – especially in Vivekananda’s case – is the whole scale usurpation of his ideology and thinking by the Hindutva brigade. In Tilak’s case, they don’t do so probably because of Tilak’s collaboration with Jinnah in 1916 for the Lucknow Pact.”

Similarly, the significance of individual freedom, a person’s right to dissent, was at the core of the debate between Rolland and Gide. “The ideologies that espoused class struggle became obsolete because they fell short of two fundamentals requirements of human life – freedom and development. The proponents of the ideologies claim that they remain relevant even today and protest that it was the practice of these ideals that subverted freedom and failed to deliver the promise of development.

Perhaps, they are not wrong. Individual freedom is at the heart of this debate and was at the basis of the differences between two eminent French writers Andre Gide (1869-1951) and Roman Rolland (1866-1944). Both supported communism – Gide briefly and Rolland during his lifetime. Rolland is known in India because of his association with Mahatma Gandhi and Rabindranath Tagore, and because Swami Vivekananda’s interpretation of the Vedanta influenced him. Along with Leo Tolstoy and Gandhi, Rolland was a firm believer in non-violent non-cooperation.

Eventually, individualism triumphed over the collective in the war between communism and capitalism. Even if democracy and capitalism may have emerged as the only acceptable political and economic models in the present century, the struggle to redefine them continues. The gathering storm over the political and economic rights of the indigenous people is a good example of this struggle as is the Occupy Movement. 

Today, even the most diehard proponents of the capitalist way agree that there is a dire need to modify it to make it work justly. And the proponents of individualism are unable to explain the growing rise of individual violence.”

These debates continue to remain relevant in 2018 as Narendra Modi and Donald Trump continue to remain all-powerful and set upon winning the next election (in 2019 in India and 2020 in the US).

To read these posts, click here




Ananya Mukherjee-Reed invited me to see Inspirations 2013 at Toronto’s George Weston Recital hall to celebrate the centenary of Rabindranath Tagore’s Nobel Prize for Literature.
In a message explaining the raison d’etre of Inspirations 2013, the creative team said, “With Inspirations, we celebrate those aspects of Tagore’s vision that are universal and utterly contemporary. The fundamental equality between all human beings, the need to resist all forms of injustice, and the infinite possibility of deepening our understanding of each other – these are some of his values. Tagore saw the arts as a powerful medium of social change. It enables us to reach new heights of creative self-expression where everyone can come together – irrespective of language, identity, race, nationality or religion.”

If you’re interested in reading about the program, click here: Inspiration 2013

Two of best books that I read in 2013 were Lisa Moore’s February, and Jerry Pinto’s Em and the Big Hoom. Both are unforgettable. And I was fortunate to interact with two good poets who continue to do good work – Sheniz Janmohamed and Bano Zan.

On the last day of 2013, we went to Windsor from where Mahrukh and Che would go to Detroit to see the All-Star game on 1 January 2014 for which Che had bought tickets a year ago. We took the Via Rail train to Windsor. It was a momentous trip; were served breakfast, where for the first time, I saw the Baby Bell cheese and was clueless about what it was or how to open it. We reached Windsor on what was unarguably one of the coldest days of the year only to discover that we’d forgotten Che’s Indian passport that had the US visa back home.

So, I’d to take a bus back to Toronto, take the passport and take the morning train back to Windsor. Fortunately, we had a day to spare. But the trip to Detroit was nothing short of a disaster. Mahrukh, who didn’t have the ticket for the game, stood outside the stadium and nearly died of hypothermia. It was that cold. I spent the day in the hotel room writing for my performance review for a job that I’d lose the next year. The highlight of the year’s end was a sumptuous dinner we had at an Indian restaurant in Windsor. We welcomed 2014 on the banks of the Detroit River that divides Windsor and Detroit.  

Sunday, March 29, 2015

Woman: A Search


A woman’s status in the Indian society is changing rapidly, and by some accounts is getting better in some parts of the country. A perceptible change is that at least there is consistent articulation of the need for things to change. 

But Indian society is multilayered and several centuries coexist simultaneously in the present, so while we may be witnessing a mild transformation in the status of women in some urban centres, their situation remains unchanged across large parts of India.

An indication of the utter disdain with which a majority of men in India view the position of women was on display recently when a senior political leader (and a former government minister), Sharad Yadav, shamelessly shouted at a woman government minister (Smriti Irani), telling her suggestively, “I know who you are.”

One doesn’t have to agree with Smriti Irani on anything whatsoever (and any sane person would, in fact, find it impossible to agree with her on anything) to respect her as a woman and as a minister. Pertinently, the exchange occurred in the Indian parliament.

(If you wish to read more about Sharad Yadav’s deep-rooted misogyny, click here: Thank you Sharad Yadav…)

The situation is not all that different for women of Indian origin in Canada, especially in places such as Brampton, where the Indian origin population is in greater numbers. Such places are hotbeds of misogyny and gender-based discrimination. Importantly, the plight of these women generally remains hidden and doesn’t find any mention in the mainstream media, except for an occasional report when something really drastic occurs.

Many who watched the exquisite two-part dance ballet Woman:A Search by Mrudanga Dance Academy at the Fleck Theatre of the Harbourfront Centre on March 21 may have justifiably marvelled at the mastery of the performers and the dazzling production, and gone home deeply satisfied at having seen an avant-garde performance.

They would have (again, justifiably) congratulated the Harbourfront Centre for including an Indian classical dance ballet in its repertoire of the Next Steps series festival.

However, underlying the artistic excellence of the ballet was (is) the unrelenting reality that needs to be shouted out loudly and repeatedly: that women in India (and women of Indian origin in the diaspora) continue to get the wet end of the stick, and that their amelioration remains sketchy and incomplete.


Mrudanga Dance Academy depicted not just the plight, but also the indomitable spirit of Indian woman, and it did so with finesse, subtlety and breathtaking artistry.

And it wasn’t just the classical Odissi dance by the academy’s troupe in Janma (birth), or the fusion of dance forms in Trishna (thirst); it was Rishabha Dhar’s enthralling music, where he suddenly introduced a saxophone interlude to accentuate Ananda’s longing for Prakriti during their momentary separation, electrifying the auditorium; it was the dazzling display of lights and minimalist stage décor; it was Ananya Mukherjee’s emotionally charged voiceover that made Prakriti’s pain at being perennially ostracized palpably real; it was the legendary Lata Pada’s sombre yet evocative monologue; and it was the scripts by Amit Dasgupta (Janma) and Ananya and Bandana  Mukherjee (Trishna) that gave a contemporary slant to modernist tales.

Of course, all these aspects went into making the show splendid, but what took it to another level, what made it memorable and unforgettable was Enakshi Sinha’s riveting Odissi recital.

Janma is a straightforward story about gender discrimination, where a woman is born in a family that has been praying for a son. She grows ups aware that she is unwanted, and learns to survive by resisting her marginalization. The recital concludes on a positive note when the woman herself gives birth to a girl child, and she vows to treat her fairly and not shun her.

Trishna is based on Rabindranath Tagore’s classic Chandalika, the play and the opera-style dance drama that for the first time ever brought the angst of a young Dalit woman Prakriti, who falls in love with Ananda, a Bhikshu primarily because he treats her as a woman. 

Trishna is based on a more woman-centric interpretation of Chandalika by physicist turned philosopher and Tagore scholar Abu Sayeed Ayyub. This interpretation portrays the epic mainly as a love story, where love has the power to conquer all – in Prakriti’s case the social isolation, and in Ananda’s case the vow of worldly renunciation. In this interpretation of Chandalika, the two lovers boldly embark upon a journey to shatter stereotypes, break norms and attempt to create a new, better world that would have no place for prejudice and hatred.

The performance was in support of the UN Women’s campaign Empowering Women, Empowering Humanity: Picture It. 

Saturday, November 16, 2013

Celebrating a 100 years of Tagore's Nobel Prize


Tagore aficionados couldn’t have imagined a better evening than the one last Sunday (9 November 2013) at Toronto’s George Weston recital hall organized by Inspirations 2013 to celebrate the centenary of Rabindranath Tagore’s Nobel Prize for Literature.

Rabindranath Tagore (1861-1941) was the first Asian and non-European Nobel Laureate (Literature, 1913).

The creative team for the evening comprised Manasi Adhikari of the Gitanjali, Ananya Mukherjee-Reed of York University and Enakshi Sinha of Mrudanga.

In a message explaining the raison d’etre of Inspirations 2013, the creative team said, “With Inspirations, we celebrate those aspects of Tagore’s vision that are universal and utterly contemporary. The fundamental equality between all human beings, the need to resist all forms of injustice, and the infinite possibility of deepening our understanding of each other – these are some of his values. Tagore saw the arts as a powerful medium of social change. It enables us to reach new heights of creative self-expression where everyone can come together – irrespective of language, identity, race, nationality or religion.”

The Tagore Anniversary Celebrations Committee of Toronto (TACCT) pivoted the organizing of the program with many organizations collaborating. The TACCT had organized many programs during Tagore’s 150th birth anniversary in 2011.

Grace Hong
Debshankar Roy
The evening began with musical renditions of Tagore’s compositions performed by a unique combination of choir and orchestra music. Debshankar Roy of Violin Brothers was the conductor and Grace Hong was the concert master. Mansi Adhikari was the music director.

The highlight of this musical prelude was the English rendition of Tagore’s most famous Ekla Chalo Re written when Bengal was Partitioned in 1905. It was Mahatma Gandhi’s favourite poem. Listen to Amitabh Bachchan's rendition of the classic here (from the film Kahani; dir: Sujoy Ghosh; music Vishal Shekhar): Ekla Chalo Re

The second part of the program was the presentation of Inspirations Spirit Awards in honour of Rabindranath Tagore to some of Toronto’s leading citizens who have contributed to improving our world by making it more inclusive. 

John Van Burek, the artistic director and founder of Pleiades Theatre, and director of Tagore’s Dak Ghar, and Ananya-Mukherjee-Reed, Professor, York University hosted this segment of the program.

The Inspirations Spirit Award were given to:

Dionne Brand, Canada’s leading poet of social justice, for Poetry and Social Justice
Matt Galloway, host, Metro Morning, CBC, for Diversity and Social Inclusion
Inner City Angles & its Executive Director Jane Howard Baker, for Empowerment through the Arts
Ontario Co-operative Association and its Executive Director Mark Ventry  for Building Inclusive Economies

Chandalika, Tagore’s timeless saga of a young Dalit girl’s love and sacrifice, was the grand finale to the evening. “The production brought together several forms of Indian classical dance accompanied by live music, drama and narration.” 

Manasi Adhikari directed the dance drama, and Ananya Mukherjee-Reed translated the epic into English. For other credits see here: Inspirations 2013

The audio-visual slides that translated Tagore’s poems from Bengali to English helped the non-Bengali knowing audience understand and appreciate the magic of Tagore’s poetry. Also, it was heartening to note the support the event received from Tagore lovers. The large hall in North York was nearly full.

Images: https://www.facebook.com/Inspirations2013toronto?fref=ts 

Saturday, October 19, 2013

Inspirations 2013


Inspirations 2013 - a celebration of diversity, creativity and justice
Inspired by Asia's first Nobel Laureate Rabindranath Tagore (Literature, 1913)
November 9, 2013 6:30pm
George Weston Hall, Toronto Centre for the Arts
5040 Yonge Street North York Toronto
Buy tickets here: Inspirations 2013 tickets

INSPIRATIONS brings rare treats from South Asia to Toronto’s multicultural, English-speaking audiences. Hear music and poetry that fuses the East and West; meet distinguished recipients of the Inspirations Spirit Awards; and watch ‘A Woman’s Quest’ - a timeless play about love and justice written in colonial India. Live music, narration, and classical Indian choreography come together in this stunning event. Presented in English and with translations.

Inspirations 2013 is inspired by Rabindranath Tagore who became the first Asian and non-European Nobel Laureate in 1913. The fundamental equality between all human beings, the need to resist all forms of injustice, and the infinite possibility of deepening our understanding of each other within and beyond borders – these are some of Tagore's values. He saw the arts as a powerful medium of social change which enables us to come together – irrespective of language, identity, race, nationality or religion.

Read about the people behind Inspirations 2013 here: Inspiration 2013 team

The Tagore Anniversary Celebrations Committee of Toronto (TACCT) will also present awards on November 9. Read about the award categories and recipients here:
Inspiration 2013 Awards

Click here to find out about the evening's program: Evening's program

More about Tagore: Meet Gurudev 

Full details at www.Inspirations2013.ca