& occasionally about other things, too...
Showing posts with label Festival of Literary Diversity. Show all posts
Showing posts with label Festival of Literary Diversity. Show all posts

Saturday, June 08, 2019

A decade in Toronto - 31

With Mahrukh at
The Festival of Literary Diversity (FOLD)
May 2017

I return to A Decade in Toronto after a long gap. 

The story of my decade has reached the ninth year - 2017 - and life in Canada became predictable, routine, mundane.

The publication of my debut novel in 2016 was a turning point. I was invited to many readings and the one that I enjoyed the most was chatting with Saima Hussain at the Mississauga Central Library. Saima edited a collection of personal stories by Muslim women The Muslimah who fell to earth, which Mawenzi House published in 2016, along with Belief.

I bought table space at the Word on the Street in the hope that I’d be able to sell my book, but – unsurprisingly – didn’t sell enough copies to justify the steep price I paid. Undeterred, I also took a table space at Brampton Book Bash (organised by FOLD) and sold nearly two dozen copies.

In 2017 spring, after I was featured at the Festival of Literary Diversity, my friend Gavin Barrett – who came to nearly all my readings, and who couldn’t make it to FOLD – wrote to me about an idea he had of organizing a reading series. Without a moment’s hesitation, I agreed.  

Gavin named it the Tartan Turban Secret Reading Series (Tartan Turban is the logo of the advertising agency Barrett & Welsh – where Gavin is the co-founder, partner and creative head) and we started in May 2017 (18 May 2017).

Gavin had obviously put a lot of thought into what he wanted the series to be and evolve into. In his own words, “The Tartan Turban Secret Readings celebrate and support writing by multicultural/visible minority Canadian writers with a special focus on those who self-identify as black, indigenous or people of colour, who have few such platforms.

“At the same time, all writers who want to celebrate Canada’s multiculturalism, diversity and indigenous heritage, and have talent to share are warmly welcomed. Please feel free to bring any of your friends of every minority whether "visible" or otherwise - non-minorities are warmly welcomed too.”

When we launched the series, we planned to do a few readings during the summer of 2017 and then when the season changed, to bring down the curtain. However, the series caught on with the literary community and there was no way we could just stop.

Two years later, it continues to grow. I believe the main reason for its popularity is that Gavin invites an author/poet to curate the series, and then she invites six other authors/poets to read. This brings variety to the series.

I must shamefacedly admit that I share the credit for an immensely impactful, relevant, and popular program for which my only occasional contribution is to suggest names of authors who may be invited to read or curate.

Gavin does everything – including arranging for wine and samosas – and all I do is just show up for the readings.

Our lives are strange in many ways and the strangest is the way we make friends. Suddenly, for no apparent reason, someone becomes a friend and even when one doesn’t meet or interact with this person for long periods of time, or even consistently, s/he remains a friend that one thinks of first on a special occasion or when something important happens in one’s life.

Gavin Barrett is that friend. I have written extensively about him here and if you are interested, you may read all about Gavin on GAB here:

o-o-o-o-o

2017 was an important year because it was the seventieth year of India’s independence. It was the centenary year of the Bolshevik Revolution in Russia; also, the centenary of Indira Gandhi (To read the post, click here: She knew India’s heartbeat).

It was 50 years since Che Guevara was murdered in Bolivia (and 20 years since his remains were discovered); also, 50 years of India’s Maoist Naxalbari movement.

Many who contributed to our culture passed away into history. Among them were actors Shashi Kapoor, Vinod Khanna, and Om Puri. All great actors and stars. Shashi Kapoor was a bit more special to me than the others and I couldn’t help but blog about him (To read the post, click here: Shashi Kapoor).  

Musicians Girija Devi (Hindustani classical vocalist), Gord Downie; journalists Gauri Lankesh (murdered by Hindutva terrorists) and Piroj Wadia (a dear friend. To read the post, click here: Piroj Wadia). Poet Eunice de Souza, who I had the privilege of knowing briefly when I worked at the Indian Post with Veena Gokhale, among others, and Eunice was the editor of the literary page.

We also lost authors Robert Pirsig and Bharati Mukherjee. Pirsig’s Zen and the Art of Motorcycle Maintenance (To read the post, click here: Zen) is an important book that I read two times – first when I was in my late teens and then in my late twenties – and it was only upon the second reading that I understood it.

Winter morning in Brampton 

In 2017, I gifted the book to my then colleague, who in jest told me she needed Zen more than Yoga.

I want to briefly segue into an issue that is misinterpreted often deliberately by newcomers to Canada. Nearly all newcomers to Canada feel that their qualifications and experience are ignored because they lack what is euphemistically termed as “Canadian experience”.  

Now let me narrate the experience of my former colleague’s husband (the colleague to whom I gifted Pirsig’s book). He is a Caucasian Canadian, born and raised in Canada, studied to become an engineer, and served in the Canadian Armed Forces in the Balkans and in Iraq and Afghanistan.

One would imagine than upon his return to civilian life, he would be welcomed by our people and would easily get a job matched his engineering qualification and incredible experience of having served the nation.

However, that is not what happened. Neither does his present job reflect his qualifications, nor his abilities and experience.

If our system cannot take care of our veterans, there will be many who will legitimately ask, “Why should then Canada give favoured treatment to refugees and immigrants?”

Until we don’t have a satisfactory and logical answer to this question, the issue of immigration will continue to be polarising and it will always turn ugly and emotive.

During my days as a journalist, I’ve seen exclusivist political formulations demand protection of the rights of the native people (sons of the soil). In today’s context, the forces that oppose immigration globally represent the same values.

However, unless there is a real solution to securing economic opportunities for the native people, the ire against immigrants and refugees will rise, not dissipate.

Friday, May 10, 2019

The World is Here: Novels Navigating Love and Conflict

From L to R: Manjushree Thapa, Josh Scheinert,  Eva Salinas
Uzma Jalaluddin and Sharon Bala
at a discussion on
'The World is Here: Novels Navigating Love and Conflict
at the Festival of Literary Diversity  

The Festival of Literary Diversity’s fourth edition was held recently in Brampton. The festival has grown steadily in participation and popularity over the years, attracting the best literary talent that Canada offers.

In 2016, just prior to the launch of the first festival, I interviewed Jael Richardson, the founder and artistic director of the festival, for TAG TV (see the interview here: https://youtu.be/vDklJugI6Xg). Jael said the idea of the festival came to her in 2014 when she participated in a book conference in New York and was stunned at the lack of diversity in the lineup of the authors. Dalton Higgins, author and events organiser, pointed out to Jael that the situation wasn’t too different in Canada.

Jael and a group of people who shared her interests got together and decided to launch a Festival that would celebrate diversity in all its forms – race, faith, sexual orientation, abilities (physical and mental). The purpose was to create space in the world of literature that would reflect the Canadian reality of multiculturalism. Earlier this year, the Writers’ Union of Canada recognised Jael and FOLD with the 2019 Freedom to Read Award.

Since its start in 2016, I have attended all the four festivals in Brampton. In 2017, I was privileged to be invited as an author. And every year, the festival has featured many authors who congregate in the first week of May to talk about themselves, their books, their readers, other authors, Canada, diversity, multiculturalism, and have fun.

This year, the festival’s main venue was the landmark Rose Theatre in Brampton. Spring had finally arrived, and the longish commute from Toronto didn’t seem too arduous, especially because the session that I’d chosen to attend – ‘The The World is Here: Novels Navigating Love and Conflict’ – had fine authors, all of whom had their debut novels published in Canada recently.

The panel included

Sharon Bala (The Boat People which was a finalist for Canada Reads 2018 and was awarded the 2018 Amazon Canada First Novel Award);

Uzma Jalaluddin (Ayesha At Last, a revamped Pride and Prejudice that is soon to be made into a film);

Josh Scheinert (The Order of Nature, set in Gambia, portraying the struggles and fears of being gay in West Africa) and

Manjushree Thapa (All of Us in Our Own Lives is her first novel to be published in Canada).

Eva Salinas, managing editor of foreign affairs news site OpenCanada.org and a freelance journalist, moderated the discussion.

Sharon’s and Uzma’s novels are about their protagonists coming to Canada, and Josh’s and Manjushree’s novels are about their protagonists leaving Canada. In all four novels, the borders between home and away get blurred, and lives are transformed because of physical and emotional dislocation.

Eva asked the panelist about the different kinds of borders in their stories, and how their characters and they as writers respond to these borders.

Sharon, whose novel is about Tamil refugees from Sri Lanka, landing off the coast of British Columbia, says that more than personal, physical, and geographical borders, her characters navigate the liminal spaces of silences and secrets. 

In Uzma’s Ayesha At Last, the boundaries are purely personal. A character in the novel, Khalid, knows he appears weird to the world because of in-your-face refusal to abandon his ethnicity and cultural rootedness; but he doesn’t worry overtly about this because he contends that he is who he is because of his belief; the reader is not expected to like him rather spend time with him to understand him.

“People cross borders often without having a choice,” Josh says. In his novel, which explores the relationship between an American (Andrew) and a Gambian (Thomas), the protagonists cross the continental borders, and the borders of control drawn by the society and families. In Manjushree’s All of Us in Our In Our Own Lives, Ava Berriden goes from Toronto to Nepal to find meaning in her life, but realises that she is unwanted despite her power.

The discussion dealt with issues that are common to Canadian milieu – issues such as acceptance, belonging, identity and home. “What gives us our identity, and how much of it is related to race?” asked Eva, whose careful choice of questions accentuated the inherently Canadian character of these authors.